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One-to-One

One to one sessions can be an excellent way in to singing for children and young people who may struggle with groups and would benefit more from individual provision. This doesn’t have to be...

One to one sessions can be an excellent way in to singing for children and young people who may struggle with groups and would benefit more from individual provision. This doesn’t have to be a traditional singing lesson but could offer a creative space for a young person to explore their voice and creativity. Without the need to work towards goals such as exams or performances (although these can be a great thing to work towards if relevant and appropriate). 


These one-to-one contexts could be set up to playfully explore the voice, body connection and creation of soundscapes/songs through improvisation and curious exploration, guided by an empathetic adult who is able to attune with the child/young person and co-create a session which is built on the interests and needs of the participant. Having some loose goals to work towards can provide a helpful structure but isn’t always necessary in order to foster a sense of focus and achievement.


This type of exploratory and relational practice could be shared between a non-music specialist and a child/young person. A shared interest in singing and creativity could be an excellent starting point and then it’s about co-creating the experience together and cultivating a space of safety and trust.


Sessions may include using props such as balls, balance boards, soft toys, small beanbags, other musical instruments and pen/paper. You may use an ipad to create sounds as a starting point. The free app Keezy allows the user to record a series of sound bytes which can be used to improvise or compose. Starting with listening to songs can be a great way to form a connection, to explore musical tastes and provide the basis for the sessions to move from.

Benefits

  • Sessions can be much more bespoke and participant centred

  • The above point means that you can really stretch the boundaries in terms of creativity and incorporate lots of relational practice into the sessions

  • One-to-one can be an excellent vehicle for developing confidence gently, towards encouraging group activities

Things to Consider

  • One to one is more resource heavy and if you are working with extremely vulnerable children or young people then selecting an appropriate practitioner and style of singing experience is important. A typical singing lesson which focusses purely on singing skills development (maybe working towards exams) may not be suitable. You might consider a more creative, holistic and multi-modal approach from practitioners who have a good understanding of trauma and mental health and are able to connect with the child and meet them where they are

  • Consider the environment for one to one sessions – the aim is to create a nurturing and inviting environment, which is co-created. For safety, a room with a window is suggested and that the practitioner, if external, knows protocols in the setting (eg who the safeguarding officer and health and safety officer is)

  • Setting of boundaries and expectations is important in any context, but especially here in a one-to-one situation, which can be more intense and potentially more vulnerable for both participant and practitioner

The young people that are attending music sessions at the moment, I know are benefiting massively from it.

Lizzy Watkiss, Occupational Therapist

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